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Topic: U. S Patent. Like many of the planter elite, the Chesnuts fell on hard times after the war. They lost 1, slaves as property through emancipation.
The younger Chesnut struggled to build up the plantations and support his father's dependents. By his father's will, James Chesnut, Jr.
In February , both he and Mary's mother died. The plantations passed on to a male Chesnut descendant, and Mary Boykin Chesnut received almost no income for her support.
She also found her husband had many debts related to the estate which he had been unable to clear. Mary Boykin Chesnut began her diary on February 18, , and ended it on June 26, My subjective days are over.
Among them were Montgomery, Alabama and Richmond, Virginia , where the Provisional Congress of the Confederate States of America convened; Charleston, where she was among witnesses of the first shots of the Civil War; Columbia, South Carolina , where her husband served as the Chief of the Department of the Military of South Carolina and brigadier general in command of South Carolina reserve forces; and again Richmond, where her husband served as an aide to the president.
While the property was relatively isolated in thousands of acres of plantation and woodland, they entertained many visitors.
Chesnut was aware of the historical importance of what she witnessed. Chesnut edited it and wrote new drafts in — for publication, and retained the sense of events unfolding without foreknowledge.
She had the sense of the South's living through its time on a world stage, and she captured the growing difficulties of all classes of the Confederacy as the society faced defeat at the end of the war.
Politically aware, Chesnut analyzed and portrayed the various classes of the South through the years of the war, providing a detailed view of southern society and especially of the mixed roles of men and women.
She was forthright about the complex and fraught situations related to slavery, particularly the abuses of women's sexuality and the power exercised by white men.
For instance, Chesnut discussed the problem of white planters' fathering mixed-race children with enslaved women within their extended households.
Examination of Mary Chesnut's papers has revealed the history of her development as a writer and of her work on the diary as a book.
Before working to revise her diary as a book in the s, Chesnut wrote a translation of French poetry, essays, and a family history.
She also wrote three full novels that she never published: The Captain and the Colonel, completed about ; and Two Years of My Life, finished about the same time.
She finished most of a draft of a third long novel, called Manassas. Elisabeth Muhlenfeld, who edited the first two novels for publication by the University of Virginia Press in and wrote a biography of Chesnut, described them as her writing "apprenticeship.
Chesnut used her diary and notes to work toward a final version in — Based on her drafts, historians do not believe she was finished with her work.
Because Chesnut had no children, before her death she gave her diary to her closest friend Isabella D. Martin and urged her to have it published.
The diary was first published in as a heavily edited and abridged edition. Williams' version was described as more readable, but sacrificing historical reliability and many of Chesnut's literary references.
Vann Woodward retained more of her original work, provides an overview of her life and society in the introduction, and was annotated to identify fully the large cast of characters, places and events.
Chesnut's reputation rests on the fact that she created literature while keeping the sense of events unfolding; she described people in penetrating and enlivening terms and conveyed a novelistic sense of events through a "mixture of reportage, memoir and social criticism".
The very rhythm of her opening pages at once puts us under the spell of a writer who is not merely jotting down her days but establishing, as a novelist does, an atmosphere, an emotional tone Starting out with situations or relationships of which she cannot know the outcome, she takes advantage of the actual turn of events to develop them and round them out as if she were molding a novel.
Chesnut has had some detractors, notably history professor Kenneth S. Lynn, of Johns Hopkins University. He described her work as a "hoax" and a "fabrication" in a New York Times review of Woodward's edition of the diaries.
Lynn argues that the diary was "composed" rather than simply rewritten in the period, emphasizing that Chesnut both omitted a great deal from the original diaries and added much new material: "She dwelt upon the personalities of people to whom she had previously referred only briefly, plucked a host of bygone conversations from her memory and interjected numerous authorial reflections on historical and personal events.
But, since neither Chesnut nor her later editors conceded that she had heavily revised her work, Lynn's view that the whole project is a fraud is a minority one.
In , Woodward's edition of Chesnut's diary won a Pulitzer Prize. A few years later, Ken Burns used extensive readings from Chesnut's diary in his documentary television series, The Civil War.
Academy Award -nominated actress Julie Harris read these sections. From Wikipedia, the free encyclopedia. Redirected from Mary Chesnut.